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Design What We Do in the Shadows More Viago Vladislav Deacon W hat We Do in the Shadows is a 2014 New Zealand mockumentary horror comedy film written and directed by Jemaine Clement and Taika Waititi and the first installment in the What We Do in the Shadows franchise. The film also stars Clement and Waititi, along with Jonathan Brugh, Ben Fransham, Cori Gonzalez-Macuer, Stu Rutherford, and Jackie van Beek. The film's plot concerns several vampires who live together in a flat in Wellington. A documentary crew follows four vampire roommates—Viago, Vladislav, Deacon, and Petyr— who share a flat in the Wellington suburb of Te Aro. All of the vampires possess supernatural powers, including levitation and the ability to transform into animals. Viago is a 379-year-old dandy from the 18th cen...

Animation

Autoslider 1991 film The Addams Family The Addams Family steps out of Charles Addams' cartoons. The film focuses on a bizarre, macabre, aristocratic family who lives with all of the trappings of the macabre (including a detached hand for a servant) and are quite wealthy. They reconnect with who they believe to be a long-lost relative, Gomez's brother Fester Addams, who is actually the adopted son of a loan shark intending to swindle the Addams clan out of their vast wealth and fortune. Can the false Fester find his way into the vault before he is discovered? Family opening credits Thing Addams watch more Gomez and Morticia watch more ...

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Flat design flat design Diego Velázquez`s works spanish golden age Garden V iew of the Garden of the Villa Medici is a masterpiece in the history of Western landscape painting, in which Velázquez set out his idea of landscape without any narrative excuse to justify it. This is a faithful depiction of place in the Villa Medicis, one of the most important palaces in Rome, and it has no identifiable story, as the figures seem to be moving around the gardens without participating in any particular event. The singular in this work is the type of impression of nature that it seek to transmit: this is not an unchanging, timeless view of part of a garden; instead, there seems to be a will to reflect the experience of a moment. Landscape painting was rare in Spanish painting of this time, with most commissions being religious works or portraits, and so Velázquez was somewhat cut off from the mainstream of...